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Sample Research Papers"From Flexibility to Authenticity: A study of Tempo Interpretation and Freedom in Préludes from J. S. Bach’s Cello Suites, BWV 1007-1012” "When Couperin meets Marais: A Comparison between François Couperin's Suite No. 2 in A Major from Pièces de Violes and Marin Marais' Suite No. 1 in A Minor from Book No. 3, Pièces de Violes" "Progressive Historicism: Beethoven’s Cello Sonata in D Major, Op. 102 No. 2 and the Legacy of Bach""Seeing Two Worlds from One Window: A Comparison between the Use of Scherzo in the Third Movements of Mahler’s Symphony No. 5 and 7"
Doctoral Thesis"When Concerto Meets Song Cycle: A Study of Vocal Influences in Robert Schumann’s Cello Concerto in A Minor, Op. 129, with Reference to his Dichterliebe, Op. 48"
PublicationKa-Wai Yu's transcription of Robert Schumann's Cello Concerto in A Minor, Op. 129 for cello and string quartet, a version originally proposed by Schumann himself in 1853 but was rejected by the publisher, has been published by A-R Editions, Inc.This edition attempts to present a chamber version of the piece that Schumann would have intended. It was a common performance practice to have concertos accompanied by a string quartet in the 19th century (e.g. Chopin's piano concertos). The edition will also be a practical version for cellists, teachers, and students to play the piece without hiring an orchestra!Please call or email A-R Editions with inquiries or to order it. The set includes a score and five parts:608-203-2570 / firstname.lastname@example.orgPublicity:Indiana University Jacobs School of Music
© Copyright by Ka-Wai Yu, 2015
My movies and moving pictures: Take a look at some of the best movies of all time ;) These are some of my first practice runs, from Super8 cameras to modern camcorders. These cinematic impressions are from when I got married to my wife Sabine, the birth of our children Thomas and Susanne, and up to our vacation on the Maldives and mountain hikes in the Alps. [Add your own personal extras here]
Fryderyk ChopinCello Sonata in G Minor, Op. 65, III Largo